Mostrando postagens com marcador Edgar Allan Poe. Mostrar todas as postagens
Mostrando postagens com marcador Edgar Allan Poe. Mostrar todas as postagens

24 de mar. de 2023

The Raven BY EDGAR ALLAN POE

Foto de Chris LeBoutillier na Unsplash

Once upon a midnight dreary, while I pondered, weak and weary,

Over many a quaint and curious volume of forgotten lore—

    While I nodded, nearly napping, suddenly there came a tapping,

As of some one gently rapping, rapping at my chamber door.

“’Tis some visitor,” I muttered, “tapping at my chamber door—

            Only this and nothing more.”


    Ah, distinctly I remember it was in the bleak December;

And each separate dying ember wrought its ghost upon the floor.

    Eagerly I wished the morrow;—vainly I had sought to borrow

    From my books surcease of sorrow—sorrow for the lost Lenore—

For the rare and radiant maiden whom the angels name Lenore—

            Nameless here for evermore.


    And the silken, sad, uncertain rustling of each purple curtain

Thrilled me—filled me with fantastic terrors never felt before;

    So that now, to still the beating of my heart, I stood repeating

    “’Tis some visitor entreating entrance at my chamber door—

Some late visitor entreating entrance at my chamber door;—

            This it is and nothing more.”


    Presently my soul grew stronger; hesitating then no longer,

“Sir,” said I, “or Madam, truly your forgiveness I implore;

    But the fact is I was napping, and so gently you came rapping,

    And so faintly you came tapping, tapping at my chamber door,

That I scarce was sure I heard you”—here I opened wide the door;—

            Darkness there and nothing more.


    Deep into that darkness peering, long I stood there wondering, fearing,

Doubting, dreaming dreams no mortal ever dared to dream before;

    But the silence was unbroken, and the stillness gave no token,

    And the only word there spoken was the whispered word, “Lenore?”

This I whispered, and an echo murmured back the word, “Lenore!”—

            Merely this and nothing more.


    Back into the chamber turning, all my soul within me burning,

Soon again I heard a tapping somewhat louder than before.

    “Surely,” said I, “surely that is something at my window lattice;

      Let me see, then, what thereat is, and this mystery explore—

Let my heart be still a moment and this mystery explore;—

            ’Tis the wind and nothing more!”


    Open here I flung the shutter, when, with many a flirt and flutter,

In there stepped a stately Raven of the saintly days of yore;

    Not the least obeisance made he; not a minute stopped or stayed he;

    But, with mien of lord or lady, perched above my chamber door—

Perched upon a bust of Pallas just above my chamber door—

            Perched, and sat, and nothing more.


Then this ebony bird beguiling my sad fancy into smiling,

By the grave and stern decorum of the countenance it wore,

“Though thy crest be shorn and shaven, thou,” I said, “art sure no craven,

Ghastly grim and ancient Raven wandering from the Nightly shore—

Tell me what thy lordly name is on the Night’s Plutonian shore!”

            Quoth the Raven “Nevermore.”


    Much I marvelled this ungainly fowl to hear discourse so plainly,

Though its answer little meaning—little relevancy bore;

    For we cannot help agreeing that no living human being

    Ever yet was blessed with seeing bird above his chamber door—

Bird or beast upon the sculptured bust above his chamber door,

            With such name as “Nevermore.”


    But the Raven, sitting lonely on the placid bust, spoke only

That one word, as if his soul in that one word he did outpour.

    Nothing farther then he uttered—not a feather then he fluttered—

    Till I scarcely more than muttered “Other friends have flown before—

On the morrow he will leave me, as my Hopes have flown before.”

            Then the bird said “Nevermore.”


    Startled at the stillness broken by reply so aptly spoken,

“Doubtless,” said I, “what it utters is its only stock and store

    Caught from some unhappy master whom unmerciful Disaster

    Followed fast and followed faster till his songs one burden bore—

Till the dirges of his Hope that melancholy burden bore

            Of ‘Never—nevermore’.”


    But the Raven still beguiling all my fancy into smiling,

Straight I wheeled a cushioned seat in front of bird, and bust and door;

    Then, upon the velvet sinking, I betook myself to linking

    Fancy unto fancy, thinking what this ominous bird of yore—

What this grim, ungainly, ghastly, gaunt, and ominous bird of yore

            Meant in croaking “Nevermore.”


    This I sat engaged in guessing, but no syllable expressing

To the fowl whose fiery eyes now burned into my bosom’s core;

    This and more I sat divining, with my head at ease reclining

    On the cushion’s velvet lining that the lamp-light gloated o’er,

But whose velvet-violet lining with the lamp-light gloating o’er,

            She shall press, ah, nevermore!


    Then, methought, the air grew denser, perfumed from an unseen censer

Swung by Seraphim whose foot-falls tinkled on the tufted floor.

    “Wretch,” I cried, “thy God hath lent thee—by these angels he hath sent thee

    Respite—respite and nepenthe from thy memories of Lenore;

Quaff, oh quaff this kind nepenthe and forget this lost Lenore!”

            Quoth the Raven “Nevermore.”


    “Prophet!” said I, “thing of evil!—prophet still, if bird or devil!—

Whether Tempter sent, or whether tempest tossed thee here ashore,

    Desolate yet all undaunted, on this desert land enchanted—

    On this home by Horror haunted—tell me truly, I implore—

Is there—is there balm in Gilead?—tell me—tell me, I implore!”

            Quoth the Raven “Nevermore.”


    “Prophet!” said I, “thing of evil!—prophet still, if bird or devil!

By that Heaven that bends above us—by that God we both adore—

    Tell this soul with sorrow laden if, within the distant Aidenn,

    It shall clasp a sainted maiden whom the angels name Lenore—

Clasp a rare and radiant maiden whom the angels name Lenore.”

            Quoth the Raven “Nevermore.”


    “Be that word our sign of parting, bird or fiend!” I shrieked, upstarting—

“Get thee back into the tempest and the Night’s Plutonian shore!

    Leave no black plume as a token of that lie thy soul hath spoken!

    Leave my loneliness unbroken!—quit the bust above my door!

Take thy beak from out my heart, and take thy form from off my door!”

            Quoth the Raven “Nevermore.”


    And the Raven, never flitting, still is sitting, still is sitting

On the pallid bust of Pallas just above my chamber door;

    And his eyes have all the seeming of a demon’s that is dreaming,

    And the lamp-light o’er him streaming throws his shadow on the floor;

And my soul from out that shadow that lies floating on the floor

            Shall be lifted—nevermore!

Public domain. First published by Wiley and Putnam, 1845, in The Raven and Other Poems ​​​​​​​by Edgar Allan Poe.

31 de ago. de 2022

7 Curiosities About Edgar Allan Poe

The life and work of the master of horror who influenced generations in literature and cinema is shrouded in mystery.

The enigmatic gaze of Edgar Allan Poe seems to inhabit all his works. Born in Boston on January 19, 1809, Poe lived in a family of actors, lost his mother at the age of 3, was adopted by a couple in Richmond, and, throughout his life, wrote countless stories and poetry, becoming one of the biggest names in Gothic literature.

Poe was never officially adopted.

With the death of his mother, victim of tuberculosis, and the abandonment of his father, Poe was raised by the couple John and Frances Allan before the age of 3, but his upbringing was surrounded by rigidity by the new family. After the episode, little Edgar Poe was renamed Edgar Allan Poe. Thanks to his family, Poe was able to study in Europe and pursue an academic career. Despite belonging to the Allan family, the author ended up with no inheritance or loving bond with his adoptive parents.

In Richmond, Virginia, there is a museum entirely dedicated to the life and work of the master. Conceived by James Howard Whitty and a group of researchers of Poe's works, Poe's Museum has several black kittens loose around the place that help compose Poe's dark atmosphere and, of course, delight visitors.

Edgar Allan Poe Elementary School

The master of terror also became the name of a school for the little ones. Edgar Allan Poe Elementary School is located in Houston, Texas and serves children ages 4 to 11.

No one knows what actually caused Poe's death.

To close his enigmatic story, the death of the master of terror is shrouded in mystery to this day. In October 1848, Poe was seen wandering the streets in someone else's clothes. According to biographers' accounts, he agonized for 4 days until he died.

Poe was married to cousin Virginia Clemm

Something considered common at the time in which he lived, Poe married at age 27 his cousin Virginia Clemm, 13, in 1835. She died at age 24, a victim of tuberculosis, the same disease that killed his mother, Eliza Poe.

The Murders in the Rue Morgue is the first modern detective story

Even before Sherlock Holmes and Hercule Poirot, Poe wrote the first modern detective story. The Murders in the Rue Morgue and the Marie Roget Mystery mark the creation of the literary detective style that has been widely explored in literature. Detective Auguste Dupin, created by Poe, first appeared in 1841.

Poe's obituary was written by his old rival

On September 7, 1849, the New York Daily Tribune published the author's obituary: “Edgar Allan Poe is dead. He died the day before yesterday in Baltimore. This announcement will surprise many, but few will regret it.” Who signs the obituary far from polite or sentimental is the anthologist Rufus Griswold, Poe's old rival who, curiously or not, wrote the first biography of the author. 

***

Casa de Livro Blog

17 de jan. de 2022

The Sleeper by Edgar Allan Poe

The Sleeper

by Edgar Allan Poe 


 At midnight, in the month of June,

I stand beneath the mystic moon.

An opiate vapor, dewy, dim,

Exhales from out her golden rim,

And, softly dripping, drop by drop,

Upon the quiet mountain top,

Steals drowsily and musically

Into the universal valley.

The rosemary nods upon the grave;

The lily lolls upon the wave;

Wrapping the fog about its breast,

The ruin molders into rest;

Looking like Lethe, see! the lake

A conscious slumber seems to take,

And would not, for the world, awake.

All Beauty sleeps!- and lo! where lies

Irene, with her Destinies!


O, lady bright! can it be right-

This window open to the night?

The wanton airs, from the tree-top,

Laughingly through the lattice drop-

The bodiless airs, a wizard rout,

Flit through thy chamber in and out,

And wave the curtain canopy

So fitfully- so fearfully-

Above the closed and fringed lid

'Neath which thy slumb'ring soul lies hid,

That, o'er the floor and down the wall,

Like ghosts the shadows rise and fall!

Oh, lady dear, hast thou no fear?

Why and what art thou dreaming here?

Sure thou art come O'er far-off seas,

A wonder to these garden trees!

Strange is thy pallor! strange thy dress,

Strange, above all, thy length of tress,

And this all solemn silentness!


The lady sleeps! Oh, may her sleep,

Which is enduring, so be deep!

Heaven have her in its sacred keep!

This chamber changed for one more holy,

This bed for one more melancholy,

I pray to God that she may lie

For ever with unopened eye,

While the pale sheeted ghosts go by!


My love, she sleeps! Oh, may her sleep

As it is lasting, so be deep!

Soft may the worms about her creep!

Far in the forest, dim and old,

For her may some tall vault unfold-

Some vault that oft has flung its black

And winged panels fluttering back,

Triumphant, o'er the crested palls,

Of her grand family funerals-


Some sepulchre, remote, alone,

Against whose portal she hath thrown,

In childhood, many an idle stone-

Some tomb from out whose sounding door

She ne'er shall force an echo more,

Thrilling to think, poor child of sin!

It was the dead who groaned within.


(published 1831)

The Complete Poetry of Edgar Allan Poe

Signet Classics; Reprint ed 2008

139P

Source: The Complete Poems and Stories of Edgar Allan Poe

5 de jan. de 2022

The Raven Edgar Allan Poe

The Raven
Edgar Allan Poe

Once upon  a midnight dreary , while I pondered, weak and weary,
Over many a  quaint  and curious volume of forgotten lore,
While I nodded , nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
"'’Tis  some visitor", I muttered, "tapping at my chamber door-
-              Only this and nothing more."
 
Ah, distinctly I remember it was in the bleak December,
And each separate dying ember wrought  its ghost  upon the floor.
Eagerly I wished the morrow; vainly I had sought to borrow
From my book surcease of sorrow - sorrow for the lost Lenore,
-For the rare  and radiant maiden whom the angels name Lenore
                -Nameless  here for evermore.
 
And the silken, sad, uncertain rustling of each purple curtain
Thrilled me - filled me with fantastic terrors never felt before;
So that  now, to still  the beating of my heart, I stood repeating:
"'’Tis some visitor entreating entrance at my chamber door –
Some late visitor entreating entrance at my chamber door -;
- This it is and nothing more."
 
Presently  my soul grew stronger: hesitating then no longer,
"Sir", said I, "or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
That I scarce  was sure I heard you"- here I opened wide the door –
                Darkness there and nothing more.
 
Deep into that darkness peering , long  I stood there, wondering, fearing,
Doubting , dreaming dreams no mortals ever dared to dream before;
But the silence was unbroken, and the stillness  gave no token
And the only word there spoken was the whispered word, "Lenore!"
This I whispered, and an echo murmured back the word, "Lenore!"
                Merely this and nothing more.
 
Back into the chamber turning , all my soul within me burning,
Soon again I heard a tapping, something louder than before.
"Surely", said I, "surely that is something at my window lattice ;
Let me  see, then, what thereat  is, and this mystery explore, -
Let my heart be still a moment and this mystery explore –
                'Tis the wind and nothing more." 

Open here I flung  the shutter , when , with many a3 flirt  and flutter ,
In there stepped  a stately  Raven  of the saintly  days of yore .
Not the least obeisance made he, not a minute stopped or stayed he,
But, with mien  of lord or lady perched above my chamber door –
Perched upon a bust of Pallas just above my chamber door –
                Perched and sat , and nothing more.
 
Then, this ebony bird beguiling  my sad fancy  into smiling,
By the grave  and stern  decorum of the countenance it wore ,
"Though thy  crest be shorn  and shaven , thou", I said, "art  sure no craven ,
Ghastly , grim , and ancient Raven, wandering from the nightly shore :
Tell me what thy lordly name is on the Night's Plutonian shore!"
                Quoth  the Raven, "Nevermore"
 
Much I marvelled this ungainly  fowl  to hear discourse so plainly ,
Though its answer little meaning, little relevancy bore ;
For we cannot help agreeing that no living human being
Ever yet was blessed  with seeing bird above his chamber door –
Bird or beast  upon the sculptured bust above his chamber door –
                With such name as "Nevermore".
 
But the Raven, sitting lonely on that placid bust, spoke only
That one word, as if his soul in that one word he did outpour .
Nothing farther then he uttered, not a feather then he fluttered28;
Till  I scarcely more than muttered, "Other friends have flown  before:
On the morrow  he will leave me, as my Hopes have flown before."
                Then the bird said, "Nevermore".
 
Startled  at the stillness broken by reply so aptly spoken,
"Doubtless", said I, "what it utters is its only stock  and store,
Caught from some unhappy master whom  unmerciful Disaster
Followed  fast and followed faster till his songs one burden  bore ,
Till the dirges  of his Hope that melancholy  burden bore
                Of 'Never- nevermore'."
 
But the Raven still beguiling all my sad soul into smiling,
Straight  I wheeled  a cushioned seat in front of bird and bust and door;
Then, upon the velvet sinking , I betook  myself to linking
Fancy unto fancy , thinking what this ominous bird of yore,
What this grim, ungainly, ghastly, gaunt, and ominous bird of yore
                Meant in croaking "Nevermore".
 
This I sat engaged in guessing , but no syllabe expressing
To the fowl, whose fiery eyes now burned into my "bosom's" core ;
This and more I sat divining , with my head at ease reclining
On the cushion's velvet lining  that the lamplight gloated  o'er ,
But whose  velvet violet lining with the lamplight gloating o'er,
                She shall press, ah, nevermore!
 
Then, methought , the air grew denser, perfumed from an unseen censer
Swung by seraphim whose foot-falls tinkled  on the tufted  floor.
"Wretch", I cried, "thy41 God hath  lent thee  - by these angels he hath sent thee
Respite  - respite and nepenthe  from thy memories of Lenore!
Quaff, oh quaff this kind nepenthe, and forget this lost Lenore!"
                Quoth the Raven, "Nevermore".
 
"Prophet!", said I, "thing of evil! - prophet still , if bird of devil! –
Whether Tempter sent, or whether tempest tossed thee here ashore ,
Desolate yet all undaunted , on this desert land enchanted –
On this home by Horror haunted - tell me truly, I implore:
Is there - is there balm in Gilead ? - tell me - tell me, I implore!"
                Quoth the Raven, "Nevermore".
 
"Prophet!", said I, "thing of evil! - prophet still, if bird of devil!
By that Heaven that bends above us, by that God we both adore,
Tell this soul with sorrow laden if, within the distant Aidenn ,
It shall clasp a sainted maiden whom the angels name Lenore:
Clasp a rare and radiant maiden whom the angels name Lenore."
                Quoth the Raven, "Nevermore".
 
"Be that word our sign of parting, bird or fiend!" I shrieked, upstarting :
"Get thee back into the tempest and the Night's Plutonian shore!
Leave no black plume as a token of that lie thy soul hath33 spoken!
Leave my loneliness unbroken! quit the bust above my door!
Take thy41 beak from out my heart, and take thy form from off my door!"
                Quoth the Raven, "Nevermore".
 
And the Raven, never flitting , still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;
And his eyes have all the seeming of a demon's  that is dreaming,
And the lamplight o'er him streaming throws his shadow on the floor;
And my soul from out that shadow that lies floating on the floor
                Shall be lifted - nevermore!

By Edgar Allan Poe

***

Good Reading,

Casa de Livro 

Sidney Matias

Biography of Edgar Allan Poe


Born in Boston - USA, in 1809, the son of theater actors. He was orphaned at an early age. It was created by a merchant, John Allan, in the southern state of Virginia. As a child he lived in the UK for a period of 5 years. During a troubled youth, having been removed from the University of Virginia by his tutor due to gambling debts, and expelled from the military academy, he published his first works in Boston Tamerlane and Other Poems (1827), Baltimore Al Araaf (1829), and New York Poems (1831). Back in Virginia he had a short career as an editor and journalist, having been fired for alcoholism. He continued throughout his life moving between cities, without settling down, but always gaining recognition as a poet, writer and critic. With the publication of The Raven (1845), he gained immediate fame throughout the country. Other poetic works are The Sleeper (1831), Lenore (1831), and Annabel Lee (1849). Among short stories and short stories, the following stand out: Manuscript found in a bottle (1832), The fall of Usher's house (1839) the murders in the Rue Morgue (1841), The mystery of Marie Rogêt (1842-1843), The well and the pendulum (1842), The Golden Scarab (1843), The Amontillado Barrel (1846) and The Stolen Letter (1844). He died in Baltimore in 1849. Poe knew better than anyone else the ins and outs, desires and fears, of the human soul. Perhaps for this reason his influence reached such a wide range of writers and poets. The Raven is probably the singular “poem”, among all poems ever written in the English language, from Beowulf, passing through Shakespeare, until today, which has provoked the most poetic responses in the last two centuries, among which are the translations of Machado de Assis and Fernando Pessoa. It is widely accepted that Poe is the creator of thrillers and police stories. Some more fervent argue that he is also the father of science fiction, the new American literary criticism, and Symbolist poetry. Undeniable is his position as one of the greatest poets, writers and critics the US has ever had.

11 de set. de 2015

A VERDADE SOBRE O CASO DO SR. WALDEMAR - (Histórias Extraordinárias) - Edgar Allan Poe.


Edgar Allan Poe sempre foi autor de histórias maravilhosas. Obras que encantam o leitor em todos os sentidos, literariamente falando.
O livro “Histórias Extraordinárias” é composta por uma seleção de contos, que estamos resenhando individualmente. Contos de temas distintos, uma história mais fantástica que a outra.
“A Verdade Sobre o Caso do Sr. Waldemar” nos tira o fôlego em cada frase lida.


Waldemar era um homem bem sucedido, que realizou várias conquistas durante a sua vida. Mas agora, com o avançar da idade, viu sua vida chegando ao fim.
Com o surgimento das doenças, foi bem assistido e tratado pelos melhores médicos da região. Porém não existia mais nada que pudessem fazer. A morte estava rondando, e seria apenas questão de tempo, para que o Sr. Waldemar fosse levado por ela.
Quando os médicos disseram que o Sr, não passaria mais vinte e quatro horas com vida, o moribundo decidiu que aceitaria fazer parte de um teste. Seria hipnotizado em seu leito de morte.
O resultado foi surpreendente.
Ao hipnotizar Sr. Waldemar, os médicos conseguiram entender a forma como a morte age no interior do indivíduo.
Mas quando Waldemar foi realmente levado, perceberam que a hipnose havia conservado alguns sentidos do cadáver.


Como isso é possível?
O que acontecerá quando ele for despertado do transe?
Por quanto tempo Sr. Waldemar conseguirá manter-se hipnotizado?
Um desfecho eletrizante, em uma história que nos provoca pavor, surpresa e horror.
Casa de Livro Recomenda.


Tinha os olhos fechados com naturalidade e os membros tão rígidos e frios como se fossem de mármore.




Titulo: A Verdade Sobre o Caso do Sr. Waldemar - Histórias Extraordinárias
Autor: Edgar Allan Poe
Páginas: 317
Editora: Otto Pierre Editores


Boa Leitura.
Casa de Livro.
Karina Belo.




O Sr. Waldemar não apresentava o menor indício de vida e, julgando que ele estava morto, íamos deixá-lo entregue aos enfermeiros, quando ouvimos um murmúrio que brotava da sua boca e que duraria cerca de um minuto. E ouvimos uma voz que seria loucura tentar descrever.

3 de set. de 2015

O SISTEMA DO DR. CATRÃO E O DO PROFESSOR PENA - (Histórias Extraordinárias) - Edgar Allan Poe.


Edgar Allan Poe é sem dúvidas um dos melhores autores que já fizeram parte da literatura.
Histórias Extraordinárias são recheadas de contos incríveis, que nos mostram aventuras impressionantes.
Iremos comentar sobre mais um conto desse fantástico livro, com temas que fazem nossa mente viajar.
“O Sistema do Dr. Catrão e o do Professor Pena” é um conto que nos as diferentes facetas da mente humana.
Com a chegada da idade é normal o corpo e a mente humana definhar. O estudo dos cientistas dessa história, nos prova exatamente isso, durante as páginas lidas.
Algumas pessoas perdem capacidades motoras, outras perdem sua sanidade mental.
Consegue imaginar tudo o que pode acontecer em um local cheio de pessoas que são intituladas de “doidas”?
Dr. Catrão montou uma casa aconchegante para tratar desses idosos.
Pessoas que tinham a mente fértil, para se transformarem no que não eram.
Quando um jovem rapaz foi visitar a instituição, encontrou algumas coisas que não faziam sentido.
Os idosos que ali se encontravam aparentavam ser totalmente conscientes e sérios.
Porque estariam ali trancados?
Qual seria o sistema que Dr. Catrão estaria estabelecendo com aquelas pessoas?
Mas aqueles senhores tinham a capacidade de se fazerem de vitimas, e enganar o mais esperto dos homens.
Histórias foram contadas.
Segredos vieram à tona.
Dr. Catrão estaria cometendo um grande erro?
E os guardas daquele local, onde estariam?
Não poderiam imaginar que uma rebelião estaria se formando.
A mente alucinada daqueles idosos era mais perigosas do que pensavam.
Usariam a visita do jovem para colocarem em prática.
Qual será o plano que os doidos estariam tramando?
Qual o mistério sobre o desaparecimento dos guardas?
Uma história interessante que todos devem ler.
Casa de Livro Recomenda.


Excelente, na verdade!
Não é para se espantar, o nosso amigo é um original, um brincalhão. Não se deve tomar ao pé da letra qualquer coisa que ele diga.


Titulo: O Sistema do Dr. Catrão e do Professor Pena - Histórias Extraordinárias
Autor: Edgar Allan Poe
Páginas: 317
Editora: Otto Pierre Editores

Boa Leitura.
Casa de Livro.

Karina Belo.


Não há muito tempo, um estranho acidente ocorreu nesta mesma casa. “O Sistema da Bondade”, sabe, estava então na moda e os doentes andavam sem liberdade. Eles se comportavam notavelmente bem, a tal ponto que todas as pessoas de senso teriam podido tirar, do que se passavam, a conclusão que se urdia entre estes rapazes qualquer plano demoníaco. E, com efeito, uma bela manhã , os guardas encontraram-se de pés e mãos atados, deitados no calabouço, onde eram vigiados como doidos pelos próprios doidos, que haviam usurpado a função dos guardas.

29 de mai. de 2015

O ESCARAVELHO DE OURO - (Histórias Extraordinárias) - Edgar Allan Poe.


Edgar Allan Poe é sem dúvidas um dos melhores autores que já fizeram parte da literatura.
Histórias Extraordinárias são recheadas de contos incríveis, que nos mostram aventuras impressionantes.
“O Escaravelho de Ouro” nos mostra um homem apaixonado por objetos e insetos misteriosos.
Tudo passa fazer sentido em suas teorias, quando Willian Legrand encontra o esse inseto de ouro.
Mas o Escaravelho de Ouro, não foi parar em suas mãos, por conta de uma simples coincidência.
Legrand foi ficando a cada dia mais aterrorizado e doente.
Ele não sabia explicar o que estava sentindo, mas o escaravelho tinha um poder sobrenatural sobre a sua vida.
Júpiter, seu criado, estava ficando verdadeiramente preocupado com seu patrão.
Ele sabia que Legrand não estava bem, mas não conseguia entender o porquê aquilo havia afetado tanto a mente de seu senhor e amigo.
O negro Júpiter já não aguentava ver Legrand tão fantasioso e louco da cabeça.
Foi então a procura de um grande amigo da família, que poderia reverter à situação e ajudar levando um médico até a residência de William.
Mas o Escaravelho de Ouro dominava todos que colocavam os olhos nele.
Legrand confessa que além de valor o inseto o estava lhe mostrando um tesouro.
Afirma que precisaria da ajuda de todos, para que pudessem encontrar o tesouro perdido.
Seriam donos de uma fortuna incalculável.
Mas eles devem encontrar um crânio humano que está apodrecendo em uma árvore encantada.
Esse seria o caminho que teriam para encontrar a sua fortuna.
Eles irão seguir esse plano insano?
Encontrarão a fortuna?
Uma história que envolve o psíquico e nos leva a tentar desvendar tal mistério.
Casa de Livro Recomenda.


- Sim! É um estranho escaravelho, confesso.
É novo pra mim.


Titulo: O Escaravelho de Ouro - Histórias Extraordinárias
Autor: Edgar Allan Poe
Páginas: 317
Editora: Otto Pierre Editores

Boa Leitura.
Casa de Livro.

Karina Belo.


- Enfim! – Exclamou ele com um profundo suspiro, como se falasse consigo mesmo. – E tudo isto por causa do escaravelho de ouro?
O lindo escaravelho de ouro! O pobre escaravelho que tu injuriavas que caluniavas. Não tens vergonha de ti mesmo, negro? Que tens para responder?

14 de jan. de 2015

O MISTÉRIO DE MARIE ROGET - (Histórias Extraordinárias) - Edgar Allan Poe.



Edgar Allan Poe tem um talento inquestionável. Suas obras conseguem levantar questões reflexivas e entreter pessoas das mais variadas gerações.
Histórias Extraordinárias, uma obra que é composta por contos que mantém o leitor concentrado do começo ao fim, para tentar desvendar os mistérios que cada um nos propõe.
“O Mistério de Marie Roget” o segundo conto que faz parte do livro, nos leva para mais uma investigação ao lado do talentosíssimo Dupin.
Dupin é um homem sagaz, que consegue desvendar casos aparentemente sem solução.
Quando soube do desaparecimento de Marie Roget e de sua possível morte, conseguiu identificar fios soltos na história, e começou a sua caçada para desvendar esse mistério.
Marie é uma bela jovem de 22 anos de idade. Encontrava-se as escondidas com certo rapaz da alta sociedade.
Poe ele apaixonada, não media esforços para se encontrarem, e se entregava de corpo e alma a essa paixão avassaladora.
Porém em um domingo que Marie saiu, informando que iria até a casa de sua tia, e não mais retornou, o inferno na vida de sua mãe começou.
Várias teorias foram levadas a tona.
A garota havia fugido com seu amante?
Teria ela se refugiado em qualquer outro lugar para se encontrar com outros rapazes?
Marie teria se matado?
E quando um corpo foi encontrado abandonado no rio, que a morte de Marie foi confirmada.
Mas quem realizou tamanha atrocidade?
Quem era o rapaz com quem se encontrava?
Dupin não acredita nas informações que vieram à tona, não acredita em nada que a impressa possa dizer.
Para ele existe algo que ainda não foi divulgado nessa história. Começará então uma caçada para descobrir a verdade sobre a morte dessa pobre moça.

 

Titulo: O Mistério de Marie Roget - Histórias Extraordinárias
Autor: Edgar Allan Poe
Páginas: 317
Editora: Otto Pierre Editores

Boa Leitura.
Casa de Livro.

Karina Belo.



A experiência mostra que os corpos de afogados, ou lançados à água imediatamente após uma morte violenta, necessitam de um período que vai de seis a dez dias para que uma decomposição suficiente os faça voltar à superfície. Um cadáver sobre o qual se dispara um tiro de canhão, e que se eleva antes que a imersão tenha durado menos de cinco ou seis dias, volta a mergulhar se abandonado a si mesmo.